Photoreal Passion Project, Pug ‘Sculpted’ In Clay

By | CGI, Computer Modelling, Design, Modelmaking, Photo real, Post-production | No Comments

Here in the studio while the paint dries and the renders crawl towards completion, we’re always mulling over new ideas or trying out new things just for the love of it. So, in between commissioned projects over the past six months, our meticulous and brilliant Post-Production Assistant, Marija Salajeva, set herself the task of creating a virtual model of a pug as though it had been modelled in clay by hand. The intention was to create a photorealistic scenario, complete with crumbs of clay and cold coffee. As we’re so familiar with working in clay (and often so engrossed in work that drinks get ignored) there was plenty of live reference around the studio for Marija to draw from. The effect is a scene in which the ‘modeller’ has just finished their work and has left the sculpting table. Judge for yourself, but we think it’s a fascinating and brilliant study of one artistic discipline being captured with the tools of another.

 

 

Rounding Off 2016 With More RTS Nominations. Thanks To All Our Collaborators…

By | Awards, BAFTA, Broadcast, CITV, Design, Modelmaking, Nominations, RTS | No Comments

After delivering a bunch of exciting new work during 2016, we finished the year with three more award nominations. Our contribution for CITV’s ‘Share A Story’, a tale about A Shark Who Swallowed The Sea, written by Heidi Hogarth was among the nominated films in the Children’s BAFTA Short Form Category. The same film was also nominated twice in the Royal Television Society Midlands Awards, for Best Production Craft Skills and Best Fictional Television Programme. This project is our fifth project involving traditional puppetry. You can find more like this here. Huge thanks go out to all who worked with us on this project.

The Fundamentals of Animation

By | Design, Food for thought, Pilsner Urquell 'Legends', Press, Publication, stop-motion, Uncategorized | No Comments

A nice thing happened recently. The second edition of The Fundamentals of Animation was published and our ‘Legends’ film for Pilsner Urquell was covered in some great detail in the book’s ‘Design as Concept’ section, together with a feature on the studio in general. Enormous thanks to Samantha Moore and Paul Wells for allowing us to be part of this. It’s one thing to be ploughing your furrow, often in the dark (metaphorically and literally) and so focused on the aims of the storyboard, that you don’t think you’re ever breaking any ground. Being interviewed by Sam and having the Legends project broken down in such granular detail made me realise that we did actually try a few new things. We’re genuinely honoured to be featured in such a staple industry publication.

The Engineering Machine picks up multiple awards

By | Awards, Bechtel, Design, stop-motion | No Comments

Our recent film produced for Bechtel, The Engineering Machine, produced with Iceni.co picked up a Construction Media Award for Best Social Media campaign. This represents the third industry plaudit for an ambitious collaboration between us, Andi Jepson and co at Iceni and the brilliantly energetic students at Birmingham City University. EVCOM are champions of the power and value of communication, so the award feels apt especially for all those undergraduates from the Visual Communication pathway who were such a pleasure to work with.

Second RTS Win For An Epic Collaboration

By | Awards, Design, RTS, stop-motion | No Comments

Earlier in 2015 we embarked on an ambitious animation project together with the creative gang at Iceni.co and the incredible undergraduate crew on Birmingham City University’s Visual Communication (Film and Animation) course. This collaboration was recognised this month at the Royal Television Society awards in the Best Production Skills category. The ‘Rube Goldberg’ machine was designed and built at Second Home Studios then transported an re-assembled at BCU’s Parkside studio where a team animated the machine building itself in stop-motion prior to all the kinetic trigger points being filmed live.

This award is real testament to the dedication of the student crew who sweated buckets with the rest of us to help build, manhandle and artfully destroy it!

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Here they are again:

A Second Home Studios and ICENI.co production

Produced in collaboration with Bechtel and Birmingham City University (UK)
Thanks to: Carillion // Crossrail // Edmundson Electrical // Hilti // Network Rail

Producer for Bechtel: Leanne Bell
Designed by Chris Randall

Assistant Designers: Frances Rice // David Checkley
Modelmakers: Yossel Simpson Little // Sarah Crombie // Dan Hayward
Assistant Modelmakers: Jonathan Kiefert // Kieron Reilly
Lead Animator: Ian Whittle
Motion Control: Matt Cusworth // Arron Sheekey
Motion Graphics Supervisor: Fraser Ntukula
Compositing: Gareth Langford // Gareth Flavell
Sound: Craig Barlow
Edit / Colourist: Alison Huckett

Huge thanks to students from Birmingham City University (UK) Visual Communication School

Clara Chou // Daniel Coetsee // Luke Frangeskou // Andrea Haenze // Hayley Harrison // Al Hassan // Jack Mugglestone // Nina Parker Noon // Dilek Osman // Waheeda Rahman // Jan Rospond // Sam Holyhead // Mikolaj Kacprzac // Kent Lau
Chris Mair // Borislava Marangozova // Natalie Sergeant // Adam Scotford // Jake Wesley-Worrall // Kieran Wilson
Grace Zhang

Thanks to: Steven Chamberlain // Matt Cusworth // Lee Metcalfe Chase // Arron Sheekey // Matt Tromans // Hilary Weston Jones // Kelvin Wong from the Visual Communications School

Written, Produced and Directed by Andi Jepson and Chris Randall

Production Craftsmanship Recognised at RTS Awards

By | Awards, CITV, RTS, stop-motion | No Comments

This month Second Home Studios won its first Royal Television Society Award for My Motorbike, produced for CITV’s Share A Story. This continues to be a creative highlight for all here at the studio, where the stories originate from eager young storytellers who are fans of the CITV channel. Not everyone who worked on the project was able to attend (as pictured) but thank you to all those lovely people who worked so hard on bringing this to life:

Written and read by 8 year old Alex Holt.
Directed and Produced by Waldemar Werbel and Chris Randall
Animation: Ian Whittle, Chris Randall, Waldemar Werbel
Production Assistant: Omari McCarthy
Modellers: Dominic Madden-Kennedy, Abbie Williams, Charlotte Clare, Amy Dodd, Ian Whittle, Omari Mccarthy Josh Taylor, Daniel James
Post-Production: Waldemar Werbel, Jardine Sage, Frank Mansfield, Chris Randall

Scaling Up – Science Of Sound Gets A New Stage Set

By | Design, The Mechanical Musical Marvel | No Comments

Since making the BAFTA nominated The Mechanical Musical Marvel, Town Hall Symphony Hall commissioned us to design a new stage set for their educational Science Of Sound showcase. We designed a portal which is used to house the screen where all the key sequences are projected. The set features all manner of Heath Robinson-style musical gizmos akin to the film’s animated title sequence. Constructed by Acquis Media.

 

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